Monday, 18 June 2012
The grapes, the grapes.
If all the baby grapes ripen into
adult bunches, the roof will cave in, which would be a shame because we can only use this room in Summer. See a very bad video here.
Saturday, 9 June 2012
The Greenwich Meridian has vanished
Which is bad news for Tunstall. As the coast erodes and
falls into the sea, the point where the Meridian line leaves the UK and heads
for the Arctic moves further south. A few years ago the marker was at the cliff
top in Tunstall. We couldn’t find it at all today.
It was tipping down with rain so we thought we might have
missed it, but a bit of research shows that it did indeed fall off the cliff
some years ago.
This was today’s rainy view from the top of the cliff:
There was a shiny new notice:
At the top of the path down to the beach:
With no Meridian marker as a guide, it was hard to know whether
we were in the West or the East. In fact, the issue of whether or not the
cliffs were about to crumble above us (when on the beach) or under our feet
(when at the cliff top) was a more pressing concern than which side of the line
we happened to be. And though wet, the beach with its retreating tide was
lovely.
Sunday, 20 May 2012
The Poland trip – down the Salt Mine
Our second day we took a trip to a salt mine. It’s a
working mine but didn’t feel like it, prettified for the tourists so that oddly
any sense of the toil and the ever present danger of deep mining is gone. Gone from
the public levels at least. We’re taken down to 900 metres. Three levels for
tourists. Another six levels below. One sixth of the total area is opened to
view. And what we’re shown is massive. It would be very easy to get lost in the
maze of tunnels and caverns.
The 14th century parts of the mine are deemed too
dangerous so some of the carvings and chapels (all made by the miners) have
been restored and moved so they can be shown off to group after group of
tourists. Most of the carvings are salt,
but in one place a 200 year old wooden Jesus gruesomely nailed to a wooden
cross is watched by a wooden Mary from across the cavern. The colours are vibrant
and exactly as they were when the carvings were done 200 years ago. The wood hasn’t been touched in all that time. The salt
preserves it.
Ornate chandeliers are hung with pure crystal salt, transparent
and luminous. There are many religious figures, but also mythical creatures,
dwarfs and so on, some being the miners’ friends, others not. The place is
steeped in both superstition and religion. The mine houses Europe's largest
underground chapel, though we wonder how much competition there can be for that
title.
Cauliflowers of salt show where water seeps through. This
spells danger. Water washes salt out, collapses caverns, and creates deadly
sink holes at the surface hundreds of meters deep. In one place a lake has been
created to make the cavern look better for the tourists. Not dangerous we’re
told because the water is super saturated at 33%. However, a monster is said to
lurk in its nine meter depths.
Myth has it that salt was originally brought to Poland
from Rumania by Queen Kinga. There is a story of a wedding ring thrown away in
one country and reappearing in another. The real story is shown in the archaeology
of the stone age.
Everywhere are carved figures of miners working, of kings
and queens, of religious figures, a recent one being a larger than life Pope
John Paul II carved for the millennium, having taken one man 6 months to
complete.
The huge cavern where masses, concerts and weddings are
held took three men 67 years to build. When the first died, his son took over
the work. And when the son died a third man took over and completed the work in
the 1960s.
As we are hurried by our guide through tunnels and
caverns, from galleries to staircases, real miners flit in and out of sight
disappearing behind doors forbidden to us, wearing lamps and battery packs.
They shake hands with our guides but ignore us. A surreal reminder that this
underground tourist theme park is still a real working mine.
We pay to be allowed to take photos underground but none
of mine come out.
Saturday, 19 May 2012
Crime writers go to Krakow
It’s a beautiful city. There’s a centre with a maze of
largely pedestrian streets and alleys, the weather warm enough for us to sit
outside to eat.
As well as exploring the city streets, we went to Vavel
castle, which was the home of the Polish monarchy.
Having climbed up and into the castle, we leave through the
twisting tunnels of a cave called the Dragon’s Den. It is said to house the
dragon that guards this entrance to the castle – no millionaires waiting to
throw insults and shell out cash.
Underground in the Dragon's Den
This way out leads to the banks of the Vistula.
The footbridge we cross has hundreds of padlocks locked
to the mesh of the sides. Most are labelled with two names and a heart,
reminiscent of the ancient graffiti at Stonehenge. Some of these are clearly as
old as the bridge. The bridge itself doesn’t seem so old but other older
bridges are also adorned with padlocks. We didn’t find anyone to explain the
tradition.
At the other side we were in the industrial quarter – a sea
change from the Krakow that draws the tourists, except that tourist buses drive
past us every few minutes taking people to and from the Schindler factory which
is our intended destination. A misreading of the map makes it a longer walk
than it should have been. It’s a very intense experience to walk round what is
now a packed museum knowing what happened here and what draws people.
Saturday, 12 May 2012
The Nairobi Trip
It is hard to give impressions of a
country on the basis of a one-day trip. Not that it was literally a one-day
trip. But the other three days were spent inside the hotel at a conference. It
was a very good conference, the business bit is written up here.
On that one free day I went around Nairobi with a friend, for whose time I am very grateful. She took me first to the Masai market and helped me to navigate the goods, the general clamour and the people who wanted me to buy simply everything.
I was reminded of the guy in Jamaica
who wanted me to buy a large jewel encrusted dagger, insisting I’d have no
bother getting it back through the US; or the guy in Paris determined I should
buy a huge carpet from him. The goods on sale in Nairobi were far more
practical and I bought quite a few, making sure they were customs-friendly and
would fit in my suitcase.
The colours were amazing. Is that to
do with the light in Africa? I've heard it said, but I don't know. I do know
that some of the carvings on sale are the same as those on sale 6 miles away
from where I live in the UK - large wooden giraffes. I didn’t buy carvings ,
doubting they’d survive the luggage battering of a long haul flight, but I bought
other stuff including sandals and fabric, in colours and styles that I can't
get at home.
Then we went out to the Karen Blixen
house where there was a wedding in progress.
From there we visited the Nairobi
National Park.
We missed the trip that would have
taken us right through so we walked around the walkway instead. We would have
been allowed to drive in ourselves but as it was the start of the rainy season
we would almost certainly have got stuck. We walked first round the orphanage
seeing the young animals that had been brought in as orphans. Many big cats and
also crocodiles, a warthog and a zedonk.
Out on the walkway with its
magnificent views over the park and the river we saw some animals we couldn't
identify. Of course out in the wild they aren’t labelled.
Impressions of Nairobi? Not unlike
many big cities. Some areas of great wealth, helped along by the presence of
the UN, and some areas of great poverty. Nairobi houses one of Africa's largest
slums. Everyone talked about how bad the traffic was and it did look pretty
horrendous at certain times of day but I was lucky enough not to be held up
anywhere. Apparently there are frequent pileups which doesn't surprise me in
the least. There is a style of driving that is Nairobi's own. I never felt in
the least uneasy but I don't think I would like to be behind the wheel.
As it was the beginning of the rainy
season, the traffic flow wasn't helped by occasional floods and huge potholes
that, once filled with water, were impossible to gauge as to depth. Nairobi's
rolling stock is somewhat battered and pretty muddy.
It's a shame to go somewhere and spent
three quarters of the time inside a hotel. Saying that it was the sort of hotel
in which it was no penance to stay. With its huge atrium some 15 stories high,
its shopping mall, bars, gardens and pool, there was no sense of being enclosed
or hemmed in. Security was tight because of the recent problems but I felt no
personal sense of threat at any time.
Even in the worst of the traffic –
cross roads solid with cars in all directions – there was little evidence of
bad temper. Situations which in London or New York would have generated a
cacophony of shouts and car horns were really quite peaceful. Kenya was
advertised to me as a very friendly country. It genuinely seems to be so.
Sunday, 22 April 2012
Bright sunshine to a violent hailstorm and back again in 10 minutes
It just doesn’t feel like British weather but I expect we
say that every year. And it is April. April showers and all that. However, we
went from bright sunshine...
No sinister finds this time.
... to a violent hail storm with ear-splitting thunder - the garden
was white over for a while, the hail stayed on the roof, until the
storm turned to torrential rain and then passed on all within a few minutes.
It made the Jawbone Gang walk very muddy. The boots
accumulate mud so you get taller and taller the further you go.
Sunday, 8 April 2012
National Poetry Month
I’ve only just been told that it’s national poetry month so I
thought I should mark the occasion with a couple of recommendations. I won’t go for
the classics because everyone knows what they like in that respect. If I did, though, I'd mention Emily Bronte’s poetry, dark though it tends to be.
Nearer to home – geographically and timewise – how about
physician-poet, Robert Jaggs-Fowler whose collection, A Journey with Time, is a
delightful mix of styles and subject matter, light and serious.
Or this collection, Old Playgrounds, edited by Sue Knight, a family memoire
spanning the decades from WWII.
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