Showing posts with label amwriting. Show all posts
Showing posts with label amwriting. Show all posts

Thursday, 18 January 2018

A portent of parental problems

Today I’ve been incapable of writing the word ‘parents’ (even had to go back and correct that one). Every time, my fingers spell out p-a-r-t-e-n-t-s, autocorrect helpfully (not) makes it into portents.

Being away from home and with the wireless keyboard doesn’t help. I type happily then spot that nothing is happening on screen. Is it just being slow; will several lines of prose (matchless, natch) suddenly spill out, or has it lost concentration and attached its focus elsewhere?

Don’t get me wrong. I love my wireless keyboard, so does my back. I can sit properly and not have to hunch over the keyboard attached to the tablet, but it has its downsides. When I first turned it on and began to type, my phone sprang to life. The keyboard adores the phone and will connect to it in favour of any other device.


But despite some issues along the way, it has been a godsend. It must be at least a decade old. It’s an Apple one, but very sociable; it’ll speak to any device in range. Took me ages to figure it out when its love affair with my phone first began. ‘I can’t type anything,’ I cried in despair. ‘I can’t text. What’s the matter with this phone?’ It was the keyboard, inside its case, inside the laptop bag, in the cupboard at the other side of the room, murmuring sweet nothings and giving the phone full access to all it’s characters.

Some of those characters have themselves begun to show their age. They can stick. If I want to write the letter A three times in a row – aaagh! and the like – I must be gentle, or I’ll get a whole page and a far longer scream of anguish than I originally needed before I can persuade it to stop. The real devastation comes from the backspace delete key. Make the mistake of holding it down to get rid of a dozen or so words and it’ll fly through the entire manuscript like a demented reverse Pacman eating everything in its path. That’s not a mistake I’ll make twice.

And now on with the chapter containing all the p-a-r-e-n-t-s.


Thursday, 7 December 2017

Writing successful commercial fiction


This book, How to be a Fantastic Writer, is the expanded 2nd edition of The Writers' Toolkit. It is the recommended text (by the editors at Fantastic Books) for writers of commercial fiction.



Targeted specifically at authors of commercial fiction, this book lifts the lid and shows you the component pieces of compelling prose and how they fit together. It debunks popular myths – you’ve heard the adage ‘show, don’t tell’; did you know that ‘tell, don’t show’ has an equally vital role to play in vibrant fiction? The trick is knowing which to use and when. This book will tell you. It strips away the mystery and shows the practical steps involved in when and how to build dramatic effect; how to make your characters come alive on the page; how to employ powerful 21st century techniques (don’t let the film-makers have all the best tools).

How to be a Fantastic Writer leads you step by step from beginning to end. If you’re just starting out and want a solid framework to give you confidence, or if you are a seasoned novelist who wants practical advice on how to inject tension into a scene that inexplicably seems to drag, then this is the book for you.

“Specifically addresses the vast majority of the problems we encounter when assessing authors’ manuscripts. The whole team was delighted when the authors agreed to write an expanded second edition.” Mae, senior editor, Fantastic Books Publishing

                From Amazon reviews of the first edition

“You can literally see what needs to happen, where the sticking points are and how to resolve them. For me it was like a light turning on in my head.”

“Gets straight to the heart of what makes fiction commercial but also eminently readable.”
“It has given me considerable inspiration.”

 “It has clarified what my next steps are and how much work I still have to do. For that alone, it is worth the money.”

“The instructions for preparing a two-sentence pitch were alone worth the cost of the book.”