Monday, 6 April 2015

Four of the best for crime fiction fans

A crop of useful web resources for those who like crime fiction:

European Crime Writers 

This is a useful website that categorises authors into contemporary, groups and classic, giving a one-line intro and a website link.

The site is curated by Karen and runs competitions with books as prizes

Crime Fiction Lover 

A good site for news, reviews and events which bills itself as the site for die hard crime and thriller fans. The site’s 2015 April 1st interview is with Laura Lippman

Crime Time

This online magazine is another source of news, reviews and interviews.

Looking for a Mystery?

Billed as specifically for those who love mysteries, this site is curated by retired librarian Linda Bertland, and contains far more than a list of mystery novels.

For example, there is a fascinating page of resources for school librarians 



At time of writing not all these sites include the 


but they’re worth visiting all the same.


Thursday, 26 March 2015

Checkout staff say no to Chief Constable: Why York is fruitful ground for fictional adventure

This is the real York: A gruesome history, the longest medieval town walls in England, a pub for every day of the year. What’s not to like? Here is the merest sprinkling of York facts...



  • Margaret Clitherow’s history and gruesome death in 1586 was served up to us in school. A martyr for Catholicism her severed hand is exhibited at the Bar Convent in York. She was canonised in 1970 and has a shrine in York’s famous Shambles.
  • St Peter’s School in York does not take part in the traditional burning of effigies on Guy Fawkes Night on November 5th, because Guy Fawkes, born in the city, was educated at the school.
  • York has many pubs, it is said that you could visit one a day and not return to the same place for a year. 
  • North Yorkshire police officers have hit the headlines for unusual reasons – Chief Constable Della Cannings tried to buy wine in her local supermarket in 2004 whilst still in uniform. The checkout staff refused to serve her until she removed her hat and epaulettes. It was at the time an offence to sell alcohol to a police officer on duty.

This is where the real York morphs into fictional York: The North Yorkshire Police were established in the mid 1970s. The headquarters are at Newby Wiske near Northallerton and get a passing mention in the books. Maybe some future plotline will invade headquarters but the action in Buried Deep centres around fictional officers stationed in York.

York is irresistible as a setting for a novel ... any novel. And with its rich history it’s also a fertile ground for contemporary fictional crime which is how Buried Deep found its focus. Read a review here.




Sunday, 15 March 2015

Sci-Fi and Fantasy Fusion – a peek behind the scenes

An illustrated book of short stories came out last year. It had previously been available only as an ebook. It’s a great collection – I reviewed it when it came out – and the illustrations add a new, quite unexpected, dimension.

Following the original publication I had the enviable job of interviewing the authors and uncovered a wealth of amazing admissions, surprising secrets and fascinating insights. To celebrate the illustrated version I thought I would draw them together here and share them again. 

Follow the links to learn about:-


The illustrated anthology is available from Fantastic BooksPublishing.


Saturday, 14 March 2015

What is it with Show and Tell?

Show don’t tell? I hate seeing that in writing guides or hearing it in writing courses. It’s shorthand, it’s lazy, it isn’t good advice. Show and Tell do different things. They’re both good in the right context and can wreck a piece of prose if you get them wrong, but show isn’t somehow better than tell, it’s just different. Sometimes you need to show the reader what’s happening and sometimes it’s best to tell. The trick is to know when and why to show or tell.

What does 'show' do?
  • Show keeps the viewpoint close behind the eyes of the viewpoint character. The closer you show, the closer the viewpoint.
  • Show brings the reader closer to the action.
  • Show is great for dramatic sequences, for keeping the reader at the edge of her/his seat.
Where ‘show’ is not so good
  • Show is not so good for the more mundane moments. There’s tedium in real life; people don’t read fiction to be immersed in a boring moment.

What does 'tell' do?
  • Tell distances the reader from the action, and sometimes that’s just what is needed.
  • Tell pushes the viewpoint away from the character, makes it more distant, less personal.
  • Tell is the way to allow the reader and the characters a breather after a moment of high drama.
When not to ‘tell’
  • Tell is not the technique to use to involve a reader in a high tension moment.


There’s a short article called Milking the action and emotion: never summarise the dramatic moments that pulls together some of these ideas. It’s from the launch of The Writers’ Toolkit which contains other articles, worked examples and the live critiques that were done during the launch.

The Writers’ Toolkit is available from FantasticBooks Publishing


Saturday, 7 March 2015

Review: Edge of Arcadia

Edge of ArcadiaEdge of Arcadia by Ken Reah
My rating: 5 of 5 stars

Edge of Arcadia is the debut novel from artist Ken Reah. It tells the story of Aiden Hamilton also an artist and teacher. This is a book about relationships, Aiden and his wife Cathy in a marriage that has become humdrum at best but with a dark undertone. When Aidan becomes infatuated with Louise, a student at the college, the book sidesteps the well-trodden territory of the relationship triangle. On the face of it we are presented with the older man, the much younger woman, and the wronged wife, but the relationships in this book go deeper. There is a dark thread running through the story involving Aiden and Cathy's relationship with their eldest daughter.

Aiden’s guilt at his affair runs alongside his guilt at being unable to repair a breach in his family or even to confront it in any constructive way.

The story of the central characters is built with realism. There are no artificial devices to bring added drama to the story. The complexities within the networks of people provide crises enough as the different relationships develop or deteriorate, through passion and high drama to sometimes predictable and sometimes shockingly unexpected catastrophes where the different strands of Aiden’s life pull him in impossibly different directions.

Reah avoids the usual clichés. The revelations when they come are not dressed up in unnecessary drama but show the slightly sad reality of real people pushed unwillingly into situations they can’t cope with.

Edge of Arcadia is a long book, the paperback which I read being far too heavy to take on long journeys. With hindsight, I’d have bought the ebook, but I’m glad I own the paperback for the wonderful artwork (from one of Reah’s own pictures) on the cover.

I didn't read this book quickly. It drew me in slowly, bit by bit as the various strands interwove and unravelled. Because we always saw the world through Aiden’s eyes we never saw him objectively in the eyes of others, only as he saw himself or as he perceived others to see him. The reader is left to judge the real Aiden from Aiden's perceptions of the emotional rollercoaster that he both revels in and desperately wants to get off.

Likewise it is Aiden's perceptions we see of his wife Cathy. Is she the wronged wife? Has he somehow pushed her into becoming the woman we see on the page? Some of her actions seem to demand heavy censure yet Aidan struggles not to judge her too harshly. And yet at times it seems to be the guilt of his affair that lets her off the hook for some appalling acts. It is not only Cathy’s actions but some of the actions of the student Louise that are hard to comprehend, but Aidan can't comprehend them and so neither can the reader.

Reah does not fall into the trap of moralising over anyone's actions. He takes us through the entire journey with Aidan and leaves us to judge, to empathise or not, to lay our loyalties where we choose. It is a gentle read with some moments of high passion and high drama. It provides a rich emotional landscape which mirrors some beautiful descriptive prose of the rich landscape of the North East of England where the book is set. It’s a very good read.


View all my reviews

Thursday, 5 March 2015

If self-publishing is the question, this is NOT the author solution

Piracy comes in all shapes and sizes these days and is a means for one group unfairly and often unlawfully to extract money from another. The rise in self-publishing has been seen as a great opportunity by more than one very dodgy outfit. But it’s particularly sad to see that hitherto respectable organisations are now allying themselves with these shysters.



Author @DavidGaughran takes the lid off the collaboration between the notorious Author Solutions and Barnes & Noble in an excellent article entitled Barnes & Noble’s Dirty Little Secret.

Author Nate Hoffelder, editor of @InkBitsPixels raised concerns last autumn in his article about Barnes & Noble in which he listed the clues to Author Solutions' involvement along with Barnes & Noble’s shyness in admitting who their partners were in this venture. 

David Gaughran and Nate Hoffelder weren’t the only ones raising concerns. Lawyer and blogger David Vandagriff also wrote last autumn about the shortcomings of Barnes & Noble’s new scheme, noting that the ‘add-on packages’ which started at an eye-watering $999 caused him ‘to think of Author Solutions’ 

Barnes & Noble’s coyness in admitting who they were dealing with rang alarm bells from the start. Author Solutions didn’t even get a mention in their press release about their new author services. Could they have been unaware of the class action that has been running against AuthorSolutions since 2013? An unforgiveable lack of due diligence if they were.

No doubt Barnes & Noble have been feeling the pinch, but scamming the authors who are the foundation of their business is not the way forward.


Thursday, 11 December 2014

An update on the bizarre VAT regulations that are putting UK micro-businesses out of business

For the story so far, see the previous blog HERE.

The latest government statement gives a clearer view of the situation than any previous official document. The link to it is below*. Change.org has a useful overview HERE and I have several points to make about it myself:

My own view remains that this piece of legislation was reasonable in its aims to curb VAT avoidance on the part of big business but that the people who developed it forgot or disregarded the effect on micro-businesses. Now this has been pointed out, instead of repairing the damage, they have made it worse. 

The government statement* differs in some key respects from the official view being given only a few days ago. The position on VAT registration is at odds with the version I was given when I spoke directly to the UK VAT Office a couple of weeks ago.

Why would this be? Either the people I spoke to were ignorant of the facts or the position has changed.
The officials in the key office ignorant of the facts? It seems unlikely given the reports of the number of queries they have had to field since news of the regulations broke in late summer / autumn.
So I surmise that the position has changed. 

It looks to me as though the realisation has finally hit home that something dire is going to happen to micro-businesses and someone has taken some action.

The reaction should have been to put in place the measures to protect micro-businesses (the measures that are already in place in respect of current VAT regulations). Instead, the move is to make a minor amendment with respect to UK VAT registration and then to spell out in excruciating detail how and why micro-businesses may as well shut up shop.

The minor amendment is to allow micro-businesses to become VAT registered in the UK and provide nil returns whilst they remain below the VAT exemption threshold. This gives them access to the one stop shop provision for EU VAT.

This looks like a step in the right direction but it does NOT solve the problem. It does not even come close.

Every affected micro-business, sole trader, small cooperative, voluntary organisation must take on the burden of VAT registration. Being able to provide nil returns on UK VAT does not equal zero bureaucracy. And that’s the easy bit. Here’s a less easy bit:

Every sale into another EU country must be identifiable. That’s easy if you’re an Amazon or a Google, you have the resources to run country-specific sites. Some micro-businesses might be able to do this, many won’t. But let’s assume the sale can be identified, then what? The VAT can’t have been added to the original invoice unless the system is sophisticated enough to determine country of origin and current VAT rates at point of sale. I could go into the details of why that is technically infeasible for a micro-business, but won't. The result is that either the VAT comes out of the micro-business’s pocket or the micro-business puts prices up across the board to cover 27 potentially different VAT rates.

The choice is stark: make yourself less profitable or less competitive.

It is the nature of micro-business that when it is micro it operates on a shoestring – there isn’t the slack to pay all its customers’ VAT bills or to make itself less competitive by across-the-board price rises. The Amazons, Googles, Apples, etc of this world couldn’t have done it when they were micro-businesses.

Why is our own government pulling up the drawbridge to deny current entrepreneurs the means to make their mark in the digital world?

You might be thinking that the pricing issue though tough, is surmountable. And you might be right. So now for the hard bits.

For every sale to someone in an EU country, a micro-business must keep two non-conflicting pieces of evidence of the buyer’s location. That’s EVERY sale. The evidence MUST show the buyer’s country.
Let's work this one through: a small cooperative sells MP3 downloads to raise money for its cause. It uses an automated online ecommerce system because otherwise it would be unable to afford to operate. A buyer in Spain pays for and downloads a single product for 99p. There are alternatives here so let’s unpack them.

  1. The transaction is done via an online payment system with only an email address. The cooperative has no idea they have made a sale to Spain. For this single 99p sale, they have just become guilty of a criminal act and could be prosecuted.
  2. The transaction request comes with an address on it (evidence 1) and when payment comes through it too has an address on it (evidence 2). The cooperative won’t have the resource to set up sophisticated accounting structures so if and when asked for this evidence by the VAT Office, they must rely on being able to find it. That’s OK, electronic data is easy to find. Well, as long as the cooperative has invested in robust backup systems in case of technical failure.
  3. Same scenario as above but the country of origin on evidence 1 is different from that of evidence 2. In this case the seller “must contact the customer and ask them to reconcile the discrepancy between the two sources of information” I’m quoting HMRC here and I am imagining the UK sole trader making contact with the Spanish customer thanking them for the 99p sale and asking them to reconcile the discrepancy between the two sources of information. This is the sort of contact from seller to buyer that may as well be titled ‘Don’t shop with us again’.

Some of this evidence by way of billing addresses and so on might be gathered fairly painlessly. However, in order to comply with the law, every transaction must be checked to see if it is a) from one of the affected countries and b) to see if the evidence of origin matches. That in itself is a huge administrative burden.

Can’t this be done automatically? Yes, if you have the resources of an Amazon or Google or Apple. If you’re a sole trader then you will have to devote significant time to this that would otherwise be spent building your business. Your business will suffer for it.

And it doesn’t stop there.

The requirement to keep hold of these pieces of evidence puts you under the Data Protection regulations. “You will need to register as a data controller” – quoting HMRC again. This requires an annual fee – not a huge one but yet another cost on top of the extra red-tape you are now having to resource for every sale – and puts you and your business under the extra burden of the bureaucracy that goes with data protection registration.

In my view it is foolish to advise anyone to rush into VAT registration without being fully aware of the administrative burden or potential legal pitfalls – there are many. As a micro-business the effort required to ensure full compliance is likely to be so detrimental to the business as a whole that it becomes pointless. Being a VAT registered business is burdensome enough; being a VAT registered bankrupt business is even worse. The same caveats apply to registration under Data Protection.

*This is the latest from HMRC