Philae, Shelley and politics from the dark ages

(originally a Facebook post but I thought it was worthy of being a blog)

What’s with all this 'discovering' of long forgotten anniversaries and the bizarre pronouncements that go with each? Magna Carta for instance and the BBC’s statement that it marked the beginning of the 'Rule of Law' (whatever that means).

And how about the Battle of Waterloo (1815)? I’ll bet the 100th anniversary wasn’t half as much celebrated as the 200th. After all, in 1815 it was England and Germany versus France, whereas in 1915 it was England and France versus Germany. A real puzzle to work out whose side God was on.

But apparently Waterloo marked the victory of Liberal Democracy over the rule of the mob. Er … did it? 

Wasn’t it in fact English, German, Austrian etc reaction trying to set back the advances made in the French Revolution?

Compare with a snippet recently come to light about British PM Edward Heath's homosexuality which was apparently a fiction invented by the security services to discredit Heath in the eyes of the right-wing of the Tory party. Irrespective of whether or not one is a fan of either Heath or the right wing of the Tory party, where does that fit in with Liberal Democracy and the Rule of Law?

Moving beyond the planet, apparently the space-lander Philae is coming awake on comet 67P about 190 million miles from the earth. The science involved is just incredible.

Contrast that with today’s politics where we may as well be in the dark ages.

I met Murder on the way -
He had a mask like Castlereagh
Very smooth he looked, yet grim
Seven bloodhounds followed him.

And I’ll leave the last word to Shelley (from The Mask of Anarchy)

Buried not so Deep

Buried Deep (crime: set in York and Hull) was the subject of a scary last-minute plot disaster. It was close to finished when a terrible thing happened. A major plot line dived into an irretrievable dead end. There could be no way out. What was the protagonist to do? How would this book ever end?


Then just before I'd torn out all my hair, it dawned. I'd fallen for one of my own red-herrings. It wasn't a dead end because of what thingy had said to so-and-so way back when ... and that time where the villain of the piece had said ... and the thing with the doo-dah ... and so on. Whew! Relief.


When I plotted the new novel I was determined to keep it nice and simple - an everyday tale of mayhem and murder with a nice twist or two but nothing to scare the pants off the author on the last lap.

That was the plan.

The plotting process was simple enough, but the devil - as they say - is in the detail. Has it worked out? Who knows? It's at that edited first draft stage where I can recite it by heart without it making any sense at all.


The stage - in fact - where it is ready to go out to its beta readers, a valiant group acknowledged in Buried Deep to whom I am eternally grateful for their insights and honesty. Take a deep breath, guys! Tiger Blood is heading your way.

Four of the best for crime fiction fans

A crop of useful web resources for those who like crime fiction:

European Crime Writers 

This is a useful website that categorises authors into contemporary, groups and classic, giving a one-line intro and a website link.

The site is curated by Karen and runs competitions with books as prizes. 

Crime Fiction Lover 

A good site for news, reviews and events which bills itself as the site for die hard crime and thriller fans. The site’s 2015 April 1st interview is with Laura Lippman. 

Crime Time

This online magazine is another source of news, reviews and interviews.

Looking for a Mystery?

Billed as specifically for those who love mysteries, this site is curated by retired librarian Linda Bertland, and contains far more than a list of mystery novels.

For example, there is a fascinating page of resources for school librarians 

At time of writing not all these sites include the 

Annie Raymond mysteries or the Ahmed and Webber police procedurals 

but they’re worth visiting all the same.

Checkout staff say no to Chief Constable: Why York is fruitful ground for fictional adventure

This is the real York: A gruesome history, the longest medieval town walls in England, a pub for every day of the year. What’s not to like? Here is the merest sprinkling of York facts...

• Margaret Clitherow’s history and gruesome death in 1586 was served up to us in school. A martyr for Catholicism her severed hand is exhibited at the Bar Convent in York. She was canonised in 1970 and has a shrine in York’s famous Shambles.

• St Peter’s School in York does not take part in the traditional burning of effigies on Guy Fawkes Night on November 5th, because Guy Fawkes, born in the city, was educated at the school.

• York has many pubs, it is said that you could visit one a day and not return to the same place for a year. 

• North Yorkshire police officers have hit the headlines for unusual reasons – Chief Constable Della Cannings tried to buy wine in her local supermarket in 2004 whilst still in uniform. The checkout staff refused to serve her until she removed her hat and epaulettes. It was at the time an offence to sell alcohol to a police officer on duty.

This is where the real York morphs into fictional York: The North Yorkshire Police were established in the mid 1970s. The headquarters are at Newby Wiske near Northallerton and get a passing mention in the books. Maybe some future plotline will invade headquarters but the action in Buried Deep centres around fictional officers stationed in York.

York is irresistible as a setting for a novel ... any novel. And with its rich history it’s also a fertile ground for contemporary fictional crime which is how Buried Deep found its focus. Read a review here.

Buried Deep: ebook

Buried Deep: paperback 

Sci-Fi and Fantasy Fusion – a peek behind the scenes

An illustrated book of short stories came out last year. It had previously been available only as an ebook. It’s a great collection – I reviewed it when it came out – and the illustrations add a new, quite unexpected, dimension.

Following the original publication I had the enviable job of interviewing the authors and uncovered a wealth of amazing admissions, surprising secrets and fascinating insights. To celebrate the illustrated version I thought I would draw them together here and share them again. 

Follow the links to learn about:-

• Alien gastronomy from author @StuartAken.
• Dark, psychological suspense with dragons from author Danuta Reah 
• Cooking for hungry geeks from Author David K Paterson
• How author Sarah Cuming wakes her creative side
• Elite, Oolite and Torn from author Drew Wagar
• The value of a good critique from author John Hoggard 
• The joys of writing from author Apeksha Harsh
• Author Peter Ford's encounter with the comet Hale-Bopp
• Freeing those cats with author John-Paul Cleary
• Being a wildlife vet as well as a writer from author Peter Holz
• – oops – more Spandex than intended with Author Jonny Rowland.
• The influence of a film background on author Brad Greenwood. Just look at the photo!
• Gene-manipulating aliens from author Thomas Pitts
• 'the most helpful editing process I've come across yet' from Author Polly Robinson.
• A great way to start September from author Natalie Kleinman
• Ecological harmony, bairns and beasts from Author Leonie Ewing
• Female protagonists from Author Denise Hayes 
• The master story teller’s pen with Author Walt Pilcher 
• Being derailed by the water board from Author Katy Huth Jones 
• 50 shades of long haul coach trip with Author Joanna Vandenbring.

The illustrated anthology is available from Fantastic BooksPublishing.

What is it with Show and Tell?

Show don’t tell? I hate seeing that in writing guides or hearing it in writing courses. It’s shorthand, it’s lazy, it isn’t good advice. Show and Tell do different things. They’re both good in the right context and can wreck a piece of prose if you get them wrong, but show isn’t somehow better than tell, it’s just different. Sometimes you need to show the reader what’s happening and sometimes it’s best to tell. The trick is to know when and why to show or tell.

What does 'show' do?

• Show keeps the viewpoint close behind the eyes of the viewpoint character. The closer you show, the closer the viewpoint.
• Show brings the reader closer to the action.
• Show is great for dramatic sequences, for keeping the reader at the edge of her/his seat.

Where ‘show’ is not so good

• Show is not so good for the more mundane moments. There’s tedium in real life; people don’t read fiction to be immersed in a boring moment.

What does 'tell' do?

• Tell distances the reader from the action, and sometimes that’s just what is needed.
• Tell pushes the viewpoint away from the character, makes it more distant, less personal.
• Tell is the way to allow the reader and the characters a breather after a moment of high drama.

When not to ‘tell’

• Tell is not the technique to use to involve a reader in a high tension moment.

There’s a short article called Milking the action and emotion: never summarise the dramatic moments that pulls together some of these ideas. It’s from the launch of The Writers’ Toolkit which contains other articles, worked examples and the live critiques that were done during the launch.

The Writers’ Toolkit is available from FantasticBooks Publishing

Review: Edge of Arcadia

Edge of Arcadia by Ken Reah
My rating: 5 of 5 stars

Edge of Arcadia is the debut novel from artist Ken Reah. It tells the story of Aiden Hamilton also an artist and teacher. This is a book about relationships, Aiden and his wife Cathy in a marriage that has become humdrum at best but with a dark undertone. When Aidan becomes infatuated with Louise, a student at the college, the book sidesteps the well-trodden territory of the relationship triangle. On the face of it we are presented with the older man, the much younger woman, and the wronged wife, but the relationships in this book go deeper. There is a dark thread running through the story involving Aiden and Cathy's relationship with their eldest daughter.

Aiden’s guilt at his affair runs alongside his guilt at being unable to repair a breach in his family or even to confront it in any constructive way.

The story of the central characters is built with realism. There are no artificial devices to bring added drama to the story. The complexities within the networks of people provide crises enough as the different relationships develop or deteriorate, through passion and high drama to sometimes predictable and sometimes shockingly unexpected catastrophes where the different strands of Aiden’s life pull him in impossibly different directions.

Reah avoids the usual clichés. The revelations when they come are not dressed up in unnecessary drama but show the slightly sad reality of real people pushed unwillingly into situations they can’t cope with.

Edge of Arcadia is a long book, the paperback which I read being far too heavy to take on long journeys. With hindsight, I’d have bought the ebook, but I’m glad I own the paperback for the wonderful artwork (from one of Reah’s own pictures) on the cover.

I didn't read this book quickly. It drew me in slowly, bit by bit as the various strands interwove and unravelled. Because we always saw the world through Aiden’s eyes we never saw him objectively in the eyes of others, only as he saw himself or as he perceived others to see him. The reader is left to judge the real Aiden from Aiden's perceptions of the emotional rollercoaster that he both revels in and desperately wants to get off.

Likewise it is Aiden's perceptions we see of his wife Cathy. Is she the wronged wife? Has he somehow pushed her into becoming the woman we see on the page? Some of her actions seem to demand heavy censure yet Aidan struggles not to judge her too harshly. And yet at times it seems to be the guilt of his affair that lets her off the hook for some appalling acts. It is not only Cathy’s actions but some of the actions of the student Louise that are hard to comprehend, but Aidan can't comprehend them and so neither can the reader.

Reah does not fall into the trap of moralising over anyone's actions. He takes us through the entire journey with Aidan and leaves us to judge, to empathise or not, to lay our loyalties where we choose. It is a gentle read with some moments of high passion and high drama. It provides a rich emotional landscape which mirrors some beautiful descriptive prose of the rich landscape of the North East of England where the book is set. It’s a very good read.


View all my reviews