Saturday, 10 November 2018

The versatility of the chopstick


Out of nowhere I had a sudden desire to knit, not something I’ve done for decades and not something for which I’ve ever had the least aptitude, but hey, have-wool-will-knit – and I had wool.


Alas, a forensic search of the house turned up but a solitary knitting needle.

A bit of lateral thinking took me to the cutlery drawer, and the scarf began life on one knitting needle and a chopstick. 


A car-boot sale later and it was on proper knitting needles – almost but not quite the same size as the original, but then the original wasn’t quite the same diameter as the chopstick anyway.



Now it’s finished. Just needs a few matching tassels and bring on winter!




Thursday, 1 February 2018

I Used to Be: Believably real voices from the two very different women protagonists

I Used to BeI Used to Be by Mary Brown
My rating: 5 of 5 stars


I loved this book, but beware it will pull at the heartstrings. The depiction of grief is raw. It’s the story of two women, brought together by chance, very different from each other. All they seem to have in common is that each is as much an outcast as the other. Maude is in her 70s. Kayleigh is barely in her teens. Both voices are authentic. It comes as a surprise to learn that this is a first novel, though the author is clearly an experienced writer. It’s quite a short book, but it’s compelling; it follows an emotional rollercoaster of a journey but is ultimately uplifting.

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Thursday, 25 January 2018

Everybody Shrugged: A timely tale of government overreach with Pythonesque overtones

Everybody ShruggedEverybody Shrugged by Walt Pilcher
My rating: 5 of 5 stars



It’s advertised as a tale of government overreach on steroids. And it is! Pilcher's humour is Pythoesque, but the story unfolds with a terrible feel of inevitable internal logic that you can only stand back and watch. Obsessions, self-interest, naivety, corruption and plain malice play cat and mouse as the characters and factions jockey for position, each chasing their own absurd goal, and all rushing unaware towards an outcome that none of them could possibly have foreseen.

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Thursday, 18 January 2018

A portent of parental problems

Today I’ve been incapable of writing the word ‘parents’ (even had to go back and correct that one). Every time, my fingers spell out p-a-r-t-e-n-t-s, autocorrect helpfully (not) makes it into portents.

Being away from home and with the wireless keyboard doesn’t help. I type happily then spot that nothing is happening on screen. Is it just being slow; will several lines of prose (matchless, natch) suddenly spill out, or has it lost concentration and attached its focus elsewhere?

Don’t get me wrong. I love my wireless keyboard, so does my back. I can sit properly and not have to hunch over the keyboard attached to the tablet, but it has its downsides. When I first turned it on and began to type, my phone sprang to life. The keyboard adores the phone and will connect to it in favour of any other device.


But despite some issues along the way, it has been a godsend. It must be at least a decade old. It’s an Apple one, but very sociable; it’ll speak to any device in range. Took me ages to figure it out when its love affair with my phone first began. ‘I can’t type anything,’ I cried in despair. ‘I can’t text. What’s the matter with this phone?’ It was the keyboard, inside its case, inside the laptop bag, in the cupboard at the other side of the room, murmuring sweet nothings and giving the phone full access to all it’s characters.

Some of those characters have themselves begun to show their age. They can stick. If I want to write the letter A three times in a row – aaagh! and the like – I must be gentle, or I’ll get a whole page and a far longer scream of anguish than I originally needed before I can persuade it to stop. The real devastation comes from the backspace delete key. Make the mistake of holding it down to get rid of a dozen or so words and it’ll fly through the entire manuscript like a demented reverse Pacman eating everything in its path. That’s not a mistake I’ll make twice.

And now on with the chapter containing all the p-a-r-e-n-t-s.


Thursday, 11 January 2018

The art and craft of thinking

Part of my day job is to introduce large numbers of students to the world of higher education via a short series of workshops that runs across a single term. The ‘visible’ part of this is guiding new students around the physical and administrative complex that is a university, but by far the more important part; that part that will (I hope) stay with them forever is to challenge their views on how they think.
My end game here is for the students to develop habits of thinking critically and objectively, of putting aside their own prejudices and preconceptions and assessing evidence for what it really is, and not for what they might be expecting to find.
The following is adapted from a taster that I present to the students at the start of their course: a means to start them off on a critical journey. Take a look at the following cartoon:



·         Which one of them is right?
·         Are they both right?
·         What if one of them says to the other, "Just because you are right, that doesn't mean that I am wrong," - is that valid?
·         Are they both equally right and wrong?
In fact, one of them is probably wrong.
Someone might have painted that number on the ground from a particular orientation for a particular purpose. It might signify important information - a distance or a weight limit. It's possible that interpreting it the wrong way would lead to catastrophe.
At this point, neither us as readers nor the cartoon characters themselves have enough information to know who is right.
How would they find out? First they should stop their pointless argument, because they do not have the facts and will get nowhere. They could then back away; they could orientate themselves with surrounding buildings or a nearby wall, look for other numbers to line up with this one; or they could ask someone who knows more about this than they do.
This process of finding out more is research. It’s the process by which we progress; it’s the reason people no longer die from smallpox; the reason we can travel vast distances in hours; the reason we can communicate with people on the other side of the world in real time; the reason we know so much about our own history. 

Research is a skill that everyone should learn. And hand-in-hand with this is something else to learn: Research is something you do before you decide you know the answer.
Along with learning how to research, is learning how to avoid this "6 or 9" situation. You do it by questioning, by not taking things at face value, by stepping back and taking an objective view. Question what you hear and what you read. Is this true just because it 'seems obvious'? Is there another way to look at it? What is the aim of the person who is saying this? Do they have credible evidence to back it up? Are there other people who have investigated it and who have more in-depth information?
Look beyond the soundbite!
Why is this important? In declaring six or nine, the characters in the cartoon are each stating an uninformed opinion about something they have not investigated or thought about. They each proclaim that they are right and consider their opinion to be valid. But without evidence and facts to back it up, an uninformed opinion is not valid and can be very dangerous. 

Think about this the next time you watch a discussion programme. Are people stating opinions without backing them up? Are they providing evidence? Is the discussion's moderator doing a good job about highlighting evidence or the lack of it or is s/he giving equal weight to facts and uninformed opinion? 
Uninformed opinions can be dangerous.
Suppose an aircraft is grounded for a serious mechanical fault.
·         Engineers: This plane is not safe. It cannot take off.
·         Airline management: We can't afford to lose the money. It will be fine.
·         Engineers: Here are the results that show that this component is likely to fail with catastrophic effect.
·         Airline management: Here are the statistics to show that there has never been a plane crash on this route. Can you say with 100% certainty that there will be a problem?
·         Engineers: No, because these things are never predictable with 100% certainty, but we can say that the chances of the plane crashing are high.
-- the discussion continues -- Should the plane take off without repairs? And if it does, would you want to be on it?

In essence this was the argument that took place behind the scenes before the catastrophic failure of the Challenger space shuttle. The engineers expected it to leak fuel and blow up on the launch pad. In fact, the leak happened but the freezing conditions plugged it for just over a minute and the craft exploded soon after take-off with the loss of everyone on board.
As a result of the investigation and subsequent report, procedures were changed so that a management decision could never again overrule a safety issue. 
Thinking about your opinions is important. Why do you believe one thing over another? Are you basing your views on evidence or on something else, maybe your like or dislike of the person who is saying it? It is an interesting exercise to stop and think about the way you form your opinions.
It is often said that 'everyone is entitled to an opinion'? I say, not so! I say that you can hold the opinion that a certain breakfast cereal is the best because you enjoy it the most, but if you want to hold the opinion that your favourite breakfast cereal is a more healthy option than any other cereal, that is only valid if you can back it up with credible facts.
The journalist Jef Rouner has more to say about this in his article, No, it's not your opinion. You're just wrong.
Food for thought. What do you think?


Thursday, 14 December 2017

Book review: Ours: poetry collection including Maureen Duffy

OursOurs by Maureen Duffy
My rating: 5 of 5 stars

I love Maureen Duffy's poetry - it's down to earth, solid, and is about real people and real things. There is only one of her poems in Ours because this is mainly a book of the winners and shortlisted entries to a competition that she judged. The fact that she was the judge ensures the quality of the end product, and there are a handful of other poets who were invited to contribute to the final collection. The book contains two other names that I know, Robert Jaggs-Fowler and Sue Knight - neither of whom are a well known as poets as they should be but maybe that will change with time.


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Thursday, 7 December 2017

Writing successful commercial fiction


This book, How to be a Fantastic Writer, is the expanded 2nd edition of The Writers' Toolkit. It is the recommended text (by the editors at Fantastic Books) for writers of commercial fiction.



Targeted specifically at authors of commercial fiction, this book lifts the lid and shows you the component pieces of compelling prose and how they fit together. It debunks popular myths – you’ve heard the adage ‘show, don’t tell’; did you know that ‘tell, don’t show’ has an equally vital role to play in vibrant fiction? The trick is knowing which to use and when. This book will tell you. It strips away the mystery and shows the practical steps involved in when and how to build dramatic effect; how to make your characters come alive on the page; how to employ powerful 21st century techniques (don’t let the film-makers have all the best tools).

How to be a Fantastic Writer leads you step by step from beginning to end. If you’re just starting out and want a solid framework to give you confidence, or if you are a seasoned novelist who wants practical advice on how to inject tension into a scene that inexplicably seems to drag, then this is the book for you.

“Specifically addresses the vast majority of the problems we encounter when assessing authors’ manuscripts. The whole team was delighted when the authors agreed to write an expanded second edition.” Mae, senior editor, Fantastic Books Publishing

                From Amazon reviews of the first edition

“You can literally see what needs to happen, where the sticking points are and how to resolve them. For me it was like a light turning on in my head.”

“Gets straight to the heart of what makes fiction commercial but also eminently readable.”
“It has given me considerable inspiration.”

 “It has clarified what my next steps are and how much work I still have to do. For that alone, it is worth the money.”

“The instructions for preparing a two-sentence pitch were alone worth the cost of the book.”